Book Review: Everything Matters by Ron Currie Jr.
A modern Candide. Voltaire used his episodic tale of misery and woe to demonstrate that happiness can never really be found, not until the very end, when the main characters all live in a shack and tend a garden outside. Living life is the only true happiness that mankind can have, and no amount of philosophical reasoning, or wealth, or fame, can ever get him that status. Except that's not the book I'm here to review.
I love apocalyptic books. I can remember reading When Worlds Collide by Wylie and Balmer at Band Camp, laying on the couch in the building next to our cabin and loving every minute of the book (well, the comfy couch and air conditioning helped.) There's nothing like the end of the world, and Currie's book is all about that. Except, the main character, Junior Thibodeax, has known all his life that the world will end on a certain day in the future, and it's the alien voices' experiment to see whether the knowledge of impending doom has any impact on his life. Whether, in a world where nothing matters, if anything matters at all. Starting with a blow by blow of his deliverance in the hospital, to his destruction by asteroid (maybe), the book details his life with a sardonic irony and humor that is quite entertaining. With Junior's knowledge and intelligence he sets out to save the human race, trying to fight the prediction that everyone will die in a gigantic fireball.
However, whether he succeeds or not, we aren't really sure, because the aliens come to him right before the end date and explain to him something he already knew... that the Earth he lived on is only one of millions of possibilities in a multiverse separated only by a sliver of a second. That basically there is a ring around the sun of different realities, and in each of those Earths, Junior makes a different decision, from not squashing a bug to not telling his big secret to his girlfriend, which effects the outcome of the world tremendously. It's the whole butterfly in the Sahara theory. A bit of a spoiler, but, the ending chapters are considerably different than the rest, and nothing much happens, but in the end, Junior's realization that Everything Matters proves the aliens wrong in their original assumption, and proves Voltaire right.
Book Review: Ring Around the Sun by Clifford D. Simak
I read this book right afterward because it influences so many authors and novels in the present day. Simak is one of the most important Science Fiction writers of the early 1960's, mostly because he created novels of marvelous ideas, ones with much potential and meat on them, if you understand. But Simak didn't always create great characters and plots to go along with those ideas (like so many other science fiction novels, the ideas are more important than the story). However, Ring Around the Sun is not one of those. It is a marvelous sci-fi novel, centering around the very idea that Currie used in Everything Matters, that the Earth is only one of millions of Earths existing in multiple space-time planes. This book is mentioned in Stephen King's Hearts in Atlantis and influenced King in his Dark Tower series. It is, in my opinion, a book that should be included in the modern Western Literary Cannon, mainly because it merges literature and science in a way that most high school students could easily understand it and enjoy it.
In the story, Jay Vickers, on his way to a meeting with a Mr. Crawford, sees a shop selling Forever Light Bulbs, as well as a razor that never needs sharpening, a car that runs forever...etc... This, explains Crawford, is crippling the industries of the world, causing chaos and fear. Vickers is supposed to investigate it and expose it in articles to be published. But it's not all that simple, because the people behind the Forever Light Bulb are trying to save the world, not destroy it.
A fabulous book, one that I've read twice now. It's very rare for me to do that. The other books I've read twice include LOTR, Lord Foul's Bane by Stephen R. Donaldson, Dragonriders of Pern by McCaffrey, and Dandelion Wine by Bradbury. Simak's book easily ranks among these.
Music Review: Foundling by David Gray
Okay... this is the album Gray should have released instead of Drawing the Line. A work of introverted folk musings that is more reminiscent of a Monet painting than music itself. It is, like most of his albums, in need of a little tweaking. But that is easily done with modern MP3 players. Take out a couple of tracks from CD1, and add a couple from CD2 (a double disc album), especially "Who's Singing Now," and you've got an album that can be repeated over and over in your car or as background music in the home. Fantastic!!
Showing posts with label David Gray. Show all posts
Showing posts with label David Gray. Show all posts
Saturday, October 30, 2010
Monday, May 24, 2010
The Songs of Present Earth
If there's any one sci-fi novel that'll make you think long after you've finished it, it is Arthur C. Clarke and Stephen Baxter's novel The Light of Other Days. I've talked about wormholes and privacy and whatnot in previous posts. This time, I want to bring up Clarke's The Songs of Distant Earth. The story takes place on an island archipelago on a planet far from Earth. The colony that has been sent there was chosen, as most colonists are, as the best genetic specimens of our species. With them was a computer database filled with the art and music and literature of mankind. What was left out of the collection was anything that had to do with religion, or mankind's prejudices. Which meant that many works of art had to be left out. Handel's Messiah, for instance. That little caveat, however, is not what I want to focus on. It really is a good book, which I would suggest reading.
We fly around on this ship we call Earth, and the amount of literature and music and art pile up, with fluff and useless pieces of garbage (see Transformers 2) being hailed as important (through people's wallets, anyway) while masterpieces of human creativity are quietly forgotten, to be lost to mankind. Maybe this is my hoarding genetics shining through, but I've always wanted the masterpieces to be kept in the public eye. There are books which I have read which are now out of print and will eventually be forgotten in the landfills of human materialism. Take Christopher by Richard M. Koff. Only kids book he wrote, only one of two period. But it was magnificent. And yet, I wonder how many copies are in Georgia, where I live. Forgotten on bookshelves and discarded from libraries because they haven't seen the light of day. How wonderful it would be to see these books brought to the top of the ocean's current, like an upwelling of water to see the sunlight. Or take Frank Bonham's The Missing Person's League. Yes, it's a little dated, but this 1970's sci-fi novel of environmental disaster and families disappearing was amazing when my 5th grade teacher read it to us some 20 years later. But now it's out of print, and who knows if it'll be reprinted.
In music, we do have some artists who see the brilliance of songwriters from past times and are trying to keep them afloat. In my last blog, I talked about Natalie Merchant's Leave your Sleep. And a few blogs ago, I reviewed David Gray's Thousand Miles Behind. Both of these albums are tributes to the poets and songwriters which came before these two singers. Gray covered tunes from Bob Dylan, Leonard Cohen, Tim Buckley, and others. So many wonderful songs that will simply sink to the bottom of the ocean of material that mankind has made these days. We have to keep those masterpieces alive. To give something to the future colonists so that they know more of the human race than songs by Lady Gaga.
***
On Fox News last week, Bill O'Riley ran a story about the anniversary of Youtube, and it got me to thinking. Youtube is our database on this ship. It's where we can all look and find supposedly forgotten pieces of our lives brought back to life. Television shows, songs, works of art, pieces of music. It's all there, for whatever purpose we should give it. And sure, some of it is junk. Some of it drives home the most vile of human qualities. The videoed school fights and the pieces showing how utterly despicable we can be, sure, those are on there. Our dirty laundry for the world to see, and we show it proudly, for some reason. It makes no sense. But the truth, as it is presented in such a twisted way, shows also how marvelous mankind can be when it wants to. The exalted are sat side by side with the depraved.
His poll, at the end of the story, was whether or not the viewer thought that Youtube was a good or bad influence on society. Now, of course you can't answer that with a simple yes or no, because it's both. But the positive aspects of the web site far outshine that of the negative. Youtube is, ultimately, a capitalist adventure. They show commercials and run adds just like any other website does. But they also are used heavily by promoters of movies, music, political races, etc... The flip side of Youtube is that, ultimately (and hopefully this won't change, but that's another subject), it's free. People can upload movies, for good or for ill, anytime they want into a public storagehouse for everything that goes on in the human world. It is a true melting pot for mankind. And while the ocean of information keeps growing (Youtube now hosts more space than all of the Internet in 2000, a mere 10 years ago.), the ability to easily find videos, which are linked by keyword to other videos, is amazing. Years from now, when archeologists dig up the remnants of this world, if they still have the Internet (or some equivalent), Youtube would be the greatest time capsule they could ever hope for. It would tell of the human condition, both good and bad, for the whole universe to see.
***
As an addendum to this blog, I wanted to include links to a couple of the Youtube videos I found. One is David Gray singing Tim Buckley's work "Song to the Siren," from the above mentioned album. The video is a picture with an mp3 file embedded, so it's not necessary to watch it. The second is a cover of Leonard Cohen's "Famous Blue Raincoat" by Jonathan Coulton. Again, just the lyrics with the mp3 backing. Which is good, because live concert clips don't have the best audio. Maybe not the best representatives of Youtube's millions of posts, but they are masterpiece songs that shouldn't disappear from mankind's database.
We fly around on this ship we call Earth, and the amount of literature and music and art pile up, with fluff and useless pieces of garbage (see Transformers 2) being hailed as important (through people's wallets, anyway) while masterpieces of human creativity are quietly forgotten, to be lost to mankind. Maybe this is my hoarding genetics shining through, but I've always wanted the masterpieces to be kept in the public eye. There are books which I have read which are now out of print and will eventually be forgotten in the landfills of human materialism. Take Christopher by Richard M. Koff. Only kids book he wrote, only one of two period. But it was magnificent. And yet, I wonder how many copies are in Georgia, where I live. Forgotten on bookshelves and discarded from libraries because they haven't seen the light of day. How wonderful it would be to see these books brought to the top of the ocean's current, like an upwelling of water to see the sunlight. Or take Frank Bonham's The Missing Person's League. Yes, it's a little dated, but this 1970's sci-fi novel of environmental disaster and families disappearing was amazing when my 5th grade teacher read it to us some 20 years later. But now it's out of print, and who knows if it'll be reprinted.
In music, we do have some artists who see the brilliance of songwriters from past times and are trying to keep them afloat. In my last blog, I talked about Natalie Merchant's Leave your Sleep. And a few blogs ago, I reviewed David Gray's Thousand Miles Behind. Both of these albums are tributes to the poets and songwriters which came before these two singers. Gray covered tunes from Bob Dylan, Leonard Cohen, Tim Buckley, and others. So many wonderful songs that will simply sink to the bottom of the ocean of material that mankind has made these days. We have to keep those masterpieces alive. To give something to the future colonists so that they know more of the human race than songs by Lady Gaga.
***
On Fox News last week, Bill O'Riley ran a story about the anniversary of Youtube, and it got me to thinking. Youtube is our database on this ship. It's where we can all look and find supposedly forgotten pieces of our lives brought back to life. Television shows, songs, works of art, pieces of music. It's all there, for whatever purpose we should give it. And sure, some of it is junk. Some of it drives home the most vile of human qualities. The videoed school fights and the pieces showing how utterly despicable we can be, sure, those are on there. Our dirty laundry for the world to see, and we show it proudly, for some reason. It makes no sense. But the truth, as it is presented in such a twisted way, shows also how marvelous mankind can be when it wants to. The exalted are sat side by side with the depraved.
His poll, at the end of the story, was whether or not the viewer thought that Youtube was a good or bad influence on society. Now, of course you can't answer that with a simple yes or no, because it's both. But the positive aspects of the web site far outshine that of the negative. Youtube is, ultimately, a capitalist adventure. They show commercials and run adds just like any other website does. But they also are used heavily by promoters of movies, music, political races, etc... The flip side of Youtube is that, ultimately (and hopefully this won't change, but that's another subject), it's free. People can upload movies, for good or for ill, anytime they want into a public storagehouse for everything that goes on in the human world. It is a true melting pot for mankind. And while the ocean of information keeps growing (Youtube now hosts more space than all of the Internet in 2000, a mere 10 years ago.), the ability to easily find videos, which are linked by keyword to other videos, is amazing. Years from now, when archeologists dig up the remnants of this world, if they still have the Internet (or some equivalent), Youtube would be the greatest time capsule they could ever hope for. It would tell of the human condition, both good and bad, for the whole universe to see.
***
As an addendum to this blog, I wanted to include links to a couple of the Youtube videos I found. One is David Gray singing Tim Buckley's work "Song to the Siren," from the above mentioned album. The video is a picture with an mp3 file embedded, so it's not necessary to watch it. The second is a cover of Leonard Cohen's "Famous Blue Raincoat" by Jonathan Coulton. Again, just the lyrics with the mp3 backing. Which is good, because live concert clips don't have the best audio. Maybe not the best representatives of Youtube's millions of posts, but they are masterpiece songs that shouldn't disappear from mankind's database.
Tuesday, October 6, 2009
Bouncy, Bouncy....
QT, Roly Poly, Monk By the Sea, David Gray, Where the Wild things Sing
Someday, when you're feeling low (oops, James Dean song), go to the QT and fix this excellent perk up. Go to the fountain drinks, and mix together some of the Rooster Boost Energy Drink (just a little, on the bottom for Strawberry Flavoring), then Dr Pepper, then add the Vanilla flavoring. Mix, Pay, and slurp.... sooooo good (what it does to your blood sugar is another story.)
***
I just went to the Roly Poly restaurant by Kroger on Ga 138 in Conyers, and got a sandwich (while waiting for my car to start, which it didn't.) wrap (philly cheese) and some of their potato salad. As one of my friends would say, OMG, you have to get some tater salad!!! It's amazing!!! I'm gonna go get a big container of it for $4.99.
***
Take a look at Friedrich's painting Monk by the Sea. Most Art teachers will tell you it is the magnificence of Nature (and for Friedrich, that meant God) surrounding the insignificance of man. The dark colors and angry sky suggest power and sometimes indifference to the small soul on the beach. Much like Stephen Crane's "The Open Boat." But, if you look at it another way, isn't the magnificence of Nature including the man standing on the beach? We are included in that Greatness, that God created us as he created the sea, the sky, both dreadful and beautiful. As are we. Both dreadful and beautiful. Acts of both monsterous cruelty or benefinence.
***
Haven't you always wanted to rewrite movie scenes, ones where you just wonder what the character was thinking. Take My Girl for instance. Macauley Culkin's character was allergic to bees. If I remember correctly, he knew he was, had an epi-pen to undo allergic reactions. Yet there he was, away from home, walking through the forest, and he sees a hive-like object on the ground. So he kicks it..... and gets attacked. And now that scene lives on for eternity in movies. And some million years from now, citizens on Alpha Centauri will watch that scene and say, "What was he thinking!!!"
***
Quick Reviews: David Gray's Draw the Line. On the heal of Life in Slow Motion, it looks like David wanted to intigrate the Pro Tools synthesizers to live symphony recordings. And while I appreciated the albums by Matchbox Twenty that have been criticized for being overproduced. This album actually is badly overproduced. You can't hear the words all that well, although the lyrics are ingeniously done and very Dylanesque. He needs to take this album back to the simplicity ofWhite Ladder and New Day at Midnight. Or, better yet, there is a live album he cut in 2007, called Thousand Miles Behind which pays amage* to folk singers that came before him. He covers songs by Tim Buckley, Bob Dylan, and others that I haven't discovered yet, but will. Excellent singing, amazing lyrics, and the instrumentals are good too. So find that one somehow (it's not in the Borders database....maybe online), and listen to it, even if you're not a David Gray fan or know who he is. Although, if you do get the new album, get the deluxe edition, because the second CD has a mix of live tracks and B-sides which are really good, especially "Babylon," his most famous song.
***
Where the Wild Things Are Soundtrack: It is what it is. It is sung by Karen O and the Kids, along with what a reviewer called "primitive folk music." It reminds me a lot of Sufjan Stevens style of folk. Pan flutes, piano, guitar, some with a modal melody (meaning, in Tom Leher's dictionary, that they play a wrong note every now and then), and the laughter of kids. It is the raucous melody of children playing on the playground, the screams and shouts, first annoying, then infiltrating towards something nostalgic and wonderful, that sparks our imagination. In short, the Soundtrack puts into sound what the book puts into words. And hopefully, what the film will put into a colorful and meaningful piece of art. To me, the film should not be just a children's flick, but something that reaches into the hearts of adults and finds what remnant of childhood each of us still has left.
Someday, when you're feeling low (oops, James Dean song), go to the QT and fix this excellent perk up. Go to the fountain drinks, and mix together some of the Rooster Boost Energy Drink (just a little, on the bottom for Strawberry Flavoring), then Dr Pepper, then add the Vanilla flavoring. Mix, Pay, and slurp.... sooooo good (what it does to your blood sugar is another story.)
***
I just went to the Roly Poly restaurant by Kroger on Ga 138 in Conyers, and got a sandwich (while waiting for my car to start, which it didn't.) wrap (philly cheese) and some of their potato salad. As one of my friends would say, OMG, you have to get some tater salad!!! It's amazing!!! I'm gonna go get a big container of it for $4.99.
***
Take a look at Friedrich's painting Monk by the Sea. Most Art teachers will tell you it is the magnificence of Nature (and for Friedrich, that meant God) surrounding the insignificance of man. The dark colors and angry sky suggest power and sometimes indifference to the small soul on the beach. Much like Stephen Crane's "The Open Boat." But, if you look at it another way, isn't the magnificence of Nature including the man standing on the beach? We are included in that Greatness, that God created us as he created the sea, the sky, both dreadful and beautiful. As are we. Both dreadful and beautiful. Acts of both monsterous cruelty or benefinence.
***
Haven't you always wanted to rewrite movie scenes, ones where you just wonder what the character was thinking. Take My Girl for instance. Macauley Culkin's character was allergic to bees. If I remember correctly, he knew he was, had an epi-pen to undo allergic reactions. Yet there he was, away from home, walking through the forest, and he sees a hive-like object on the ground. So he kicks it..... and gets attacked. And now that scene lives on for eternity in movies. And some million years from now, citizens on Alpha Centauri will watch that scene and say, "What was he thinking!!!"
***
Quick Reviews: David Gray's Draw the Line. On the heal of Life in Slow Motion, it looks like David wanted to intigrate the Pro Tools synthesizers to live symphony recordings. And while I appreciated the albums by Matchbox Twenty that have been criticized for being overproduced. This album actually is badly overproduced. You can't hear the words all that well, although the lyrics are ingeniously done and very Dylanesque. He needs to take this album back to the simplicity of
***
Where the Wild Things Are Soundtrack: It is what it is. It is sung by Karen O and the Kids, along with what a reviewer called "primitive folk music." It reminds me a lot of Sufjan Stevens style of folk. Pan flutes, piano, guitar, some with a modal melody (meaning, in Tom Leher's dictionary, that they play a wrong note every now and then), and the laughter of kids. It is the raucous melody of children playing on the playground, the screams and shouts, first annoying, then infiltrating towards something nostalgic and wonderful, that sparks our imagination. In short, the Soundtrack puts into sound what the book puts into words. And hopefully, what the film will put into a colorful and meaningful piece of art. To me, the film should not be just a children's flick, but something that reaches into the hearts of adults and finds what remnant of childhood each of us still has left.
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