Showing posts with label lakehouse. Show all posts
Showing posts with label lakehouse. Show all posts

Friday, October 10, 2014

Road Trip! You Can't Go Home Again...

...but you can try.  I had a prior business arrangement in Oklahoma City, and so I hopped in my Blazer and made a weekend out of returning to the city of my birth.  The saying "You can't go home again" isn't exactly true.  You can, but both "you" and "home" have changed.  The minutes and miles have passed, time's erosion has done its damage.  But instead of waxing metaphoric about the roads traveled, let's put the pavement under foot and experience it ourselves.


Crossing the Red River, which has been shrunk to a small creek with the years long drought here, I was amazed to gaze not upon the "Welcome To Oklahoma" sign that I was expecting, but a huge sign, purple and gold, with a large arch, announcing to the world that a marvelous casino was just a few stops down the road.  I can only imagine a thousand years from now, when archaeologists explore the society of the Native people of this great land, they will find piles of poker chips and alcohol bottles.  It drives me crazy to think that the only way they can make a living is through building of casinos based on loopholes through the separate nation status that the Native Americans enjoy.  And no doubt that the owners of these places aren't "Indians" at all, but outsiders who are using the loophole to their greatest advantage. So you come across the abominations, a casino shaped like all the monuments of the Western World... not the world that should reflect their own heritage... ridiculous...



The area from Ardmore to Sulphur is peaked with slabs of Granite, Limestone, Shale, giant rocks with plateaus that stick out over the Interstate.  What I wouldn't give to stand upon those peaks and look out over the plains, to see for miles, with the Oklahoma wind blowing and the dry heat of the summer. It would be certainly glorious!  And beyond those slabs of rock is Turner Falls, which I've never been to, but from the pictures I've seen of the waterfalls and the river valleys, it is someplace I will certainly explore when the weather turns back warm, the Good Lord willing...


Driving through the town of Davis (past the new Choctaw Casino....), I see the same little town I remember from the 80's.  Sooner's Foods is still where it was, with the darkened isles and the stubborn tenacity to remain in business while Walmarts spring up throughout the area.  And the small shack where we bought firecrackers to set off at the Lake House is still there, still advertising its wares.  There's the turn-off to the Lake House (now cornered by a McDonald's and a Walmart), and past the Chickashaw Heritage Center, a place where they have stored how they used to live so that it won't be lost in neon lights, rounding the corners where mobile homes, A-frame Houses, and people that have lived there for decades still live, still sitting on their front porches and listening to the cicadas in the trees and the wasps building a nest in the corner of the porch.  That's the Oklahoma I remember, taking myself forward on the road and backward through time.  I turn off onto the gravel road that turns to the lakehouse, past the bumps and the hills, but there are new road signs, and Hilltop Road is actually what we called Rock Drive (and that's what it's named on Google Earth, see my prior blog about the discovery), and I drive to the end of the road... to find the gate closed and the grass growing high.  It woudn't surprise me if the bank owned now, from whatever people bought the house after my Grandmother sold it.  The road was the same, and although I was different, it felt good to find my way to one of my homes.

Drove down to the end of the road to the Lake of the Arbuckles, and found that the drought had hurt the lake something fierce.  The buoy that signified "No Boats" was so close to "shore" I could have walked out and touched it.  It's funny, because I remember that buoy being so far out in the middle of the lake, I could never have swum out to it.  But something tells me it's not the drought that made it look odd.  The lake may have grown smaller, but I've grown bigger, and those distances aren't so far anymore.

Pulling into Oklahoma City, the old knowledge of the roads took over, and it would be impossible to get lost.  I asked my mother where every road in town went, and I knew it by heart.  Having time prior to my meetings, I drove out to Westbury, where I used to live.  The outlet malls along I-40 and Rockwell look just as bad as the casinos, but at least they tried to approximate the teepees and other colors of the Native Americans.  The truck stops had grown larger, a sign of prosperity (the outlet mall had sold all of it's shops well before it was even made, and three additions later, it's still full) in the Grand Old State. The houses and roads of neighborhoods newer than anything I knew of (I last was here in 2005) grew up like the grass in the fields, spreading out for miles.  And there is the neighborhood I lived in, the street, the house.... and it looks good! Someone has repainted it and it still looks as I remembered it.   I drove to both my grandparent's houses as well, and they looked okay, both sold long ago and now have new tenants. It's good to take a dip into the past.


I sat upon the bench in front of Mustang Valley Elementary School and called those who I wanted to meet, and while some were out of town, others were there and available.  Mustang Valley look exactly the same... except they paved over the playground to make a parking lot (cue Joni Mitchell) , and the new playground is plastic and safe and looks like the things they are supposed to represent.  We made the rocket ship into such a place, and the Spider, and the gigantic Teeter-Totters that I'm sure would have spawned lawsuits today... but it used to be my playground (see prior blog for that, as well).


I went to visit my mother's friends who agreed to let me stay the night, and we went to BJ's Brewhouse and I had some wonderful Balsamic Glazed Chicken with White Cheddar Mashed Potatoes.  I also went to see the Granddaughter of Robert Orbach, my grandmother's boss.  I found, while cleaning out my house, a scrapbook of all of the goings on of Orbach's Department Store, along with the writings he did on his own Printing Press.  I brought the scrapbook to them, as I felt it would the only place on Earth it would be appreciated.  I was so right on this, as they had lost a lot of Mr. Orbach's writings in a house fire a couple of years ago.  It made me feel good to bring them home.

One other thing I did was to drive to the east side of Oklahoma City and visit the Omniplex (okay, yes, it's now called Science Museum Oklahoma, but to me, it will always be the Omniplex).  It was like reliving my childhood.  Some things had changed, some were the same as I'd always known it.  The balls that rode along their prospective tracks have been doing it for as long as I remember.  I stood there watching it for quite a bit, as it was, if nothing else in that city, the idea that, in a world where change is inevitable, there are always those points of constancy. It made me feel good.  I missed the pendulum, slowly swinging with the power of the Earth's Rotation, and the Geodesic Dome Playset (which probably was taken away when someone got hurt and wanted to sue...).  The Earthquake display was still there, showing that same movie with actors with 80's clothes.  The planetarium did their daily show, and I went into the darkened room with the night sky projected on the domed ceiling and relaxed.... until a family with 8 kids came in and sat behind me... all with attention spans of 30 seconds.  Last time I'd been there, the guy doing the show probably hadn't even been born.  It was a perfect ending to my trip, my look back into my past.  

There's a certain confidence I found there, to see everything that had changed, mutated (the casinos and outlet malls), and grown up all around the city. And so had I.  I could now drive anywhere I wanted, go anywhere, and I had the ability to do it.  I brought things home, even as I had come home, to a certain extent.  But in the end, I drove back to Dallas, to my apartment, to my job, and to my home.  And I'll go back... there's so many people I didn't get to see, places (like the OKC Bombing Memorial and Bricktown) that I want to visit, but there will always be time for that.  Just 3 hours north.  A short jaunt, as the hawk flies.
 

Wednesday, February 26, 2014

"Time Is the Final Currency"

 Noel Paul Stookey once said of his hen-house turned home in Blue Hill, Maine, that sitting on his stairs at 7 in the morning, watching the sun come up over the Atlantic, that he was blessed, having moved away from New York City and all the hustle and bustle.  People thought he was crazy. "There are two ways to miss things," he said, "One is if it goes by too fast, and the other is if we go by too fast.  I've always complained about the bicycles speeding by me as I walk, or the motorcycles, that they zoom down the paths so fast that they miss the beauty that's all around them.  Sometimes it's better to watch the trees grow, and look up into the sky and watch the planes circle and descend toward the airport many miles away.  That time slows down in the rural areas, it's such a wonderful experience.  It's no wonder that people leave the urban areas and go out to the boondocks where they will be away from all the noise and commotion.  I know I would.

There's nothing better in this world than being at my grandparent's lake house in Sulphur, Oklahoma, late at night , looking out the window over the Lake of the Arbuckles, and watching the moon rise, listening to the crickets, sitting in a recliner and letting the world go it's own way.  In quiet reflection I have those memories now.  I don't know if I had them back then.  If I had more money than sense, I'd buy that lake house back. I wrote a blog about it here.

Or perhaps, since I'm in Georgia, I'd go with a house here.  There's a house in Washington County, just across the line from Deepstep, GA, that is a wonderful house out in the woods.  The only people that go by it are hunters during deer season.  Beautiful dark wooden floors and furniture. I found it on Google Earth, and have a mark on it, just in case...  I doubt I'll ever have the money to get a  house like that, but even something similar would be nice.  Something Thoreauish.

I know it's a little early to think about this for me, but it's come up because of my mother's recent heart surgery, and her having to face her own mortality. But she's talked about how she wants to live out the rest of the years of her life. And it got me thinking about the same thing.  Truly, I'm only 36, and I have half of my life left to live, and who knows how the country will go during those years, or the economy, but I do know that I'll make it somehow.  And I also know that, when the time comes for me to grow old, I want to do it away from the city sprawl.  I want to watch the rings form within the trees, year by year.

It's amazing what things will get you thinking about your own mortality.  I guess it's something that's been going through my mind lately.  My mom said that while she knows that God and Heaven await her after she dies, that until then, survival and living are pretty important.  There's a natural fear of death, I think we all have that, but I think the more fearful part is losing control of the life you have left.  I've seen it, through my grandmothers, how dementia and finances and diseases can slip reality away, where dreams become more real than reality, and there are times I wouldn't mind that, but life is so amazing, so beautiful, I don't think I would want to spend the last part of my life stuck in some room in a nursing home, propped up in a wheelchair in some hallway.  I've seen too many old men like this at the rehab place my mom was in, and also at the nursing home my grandmother was in temporarily.  Don't keep an eye on me, dear nurses, take me outside and let God keep an eye on me. He's done that well so far.  Let me see the cardinals flit from tree to tree, and the summer wind ease up gently against my face, and then on to places unknown.  It's better this way.

I also say all this because I've heard some great music lately, a pattern in the writings of some great rock songwriters, as they look at their own lives and see death a'coming.  The advantage that they have is that they can express their feelings (much like I do here in a blog) through the art media that they are known for.  And while they create their works, much like the artwork on the blog above, they release it for us to hear and see and say, "yeah, I get you." Thankfully, with the Internet being what it is, I can put together those works here on the blog.

Bob Dylan took a weekend and wrote all of the songs in Time out of Mind, a masterpiece of blues and introspection that I absolutely love.  I think he, like the other's I'll show below, got to the point where they calmly look at their old age and see death coming, but not quite here yet.  It's off in the future a little ways, but close enough to pay attention to.  The track I love , well, I like all of them, but the one that fits this blog is "It's Not Dark Yet."

 

His tour mate for the past few years, Paul Simon did a track on You're the One that sounded like it would be his last album (he's done 1.5 since (the one he did with Brian Eno was not worth the .5), and it deals with the end.  The image where he can "release [his] fists at last" is so powerful.  Such a haunting song.  And all of these are.  Nostalgic, Raw, leaving the singer exposed without many instrumental backups to keep the voice hidden.

 

Finally, check out David Crosby's new studio album, Croz as a wonderful mixture of introspective songs and lamentations about the way the world is (although not so much that the ideology sticks out like a sore thumb) The first track has a minor key meandering sound, while talking about the city, and it reminded me of the other songs that deal with age and mortality.  His other one that fits this is "Time is the Final Currency" from the album CPR he did with his biological son, but it's harder to find on Youtube.







Friday, October 22, 2010

A Driving Song

There are many things I would rather do than drive.  Drinking Lysol is one of them.  Driving is a nuisance, a menial task that takes entirely too much time and costs too much money. Watching the traffic reports on the Atlanta interstates reminds me of the scene in T.S. Eliot's "The Waste Land," where thousands of mindless, wordless people are crossing the bridge into the city.  And inside those cars, people are listening to their radios, to endless music with indeterminable meanings, to conservative talk show host rattling on truths and half truths and sometimes outright lies, all to mesmerize the listener into action.  Inside those cars are the children screaming or sleeping or playing, looking up out of the roof hatch up at the sky and dreaming they could fly, seeing themselves move through the clouds as the road moved under them.  I think REM got it exactly right in the video for "Everybody Hurts," as, in the end, they are all people trapped inside their cars, trapped inside the memories and the thoughts that can't escape, but sit, traveling as they are traveling, through miles of pavement.  The only real escape, as in the video, is to get out of the cars and walk.  Something totally unexpected.  To shout from the bridge and run the other way.  To say, "Snap out of it!" to the people on Eliot's bridge.  To get out and walk and never to look back.  Yes.  It's escape.  It's illogical and probably impossible, but you have to look at driving this way.   While most people see driving, much as in the car commercials, as getting away from your life and winding down twisted roads toward the mountains or the beach, leaving their lives behind, it doesn't always work that way.  For what if those people weren't able to leave themselves behind, like old laundry or the faded memories that appear and then dissolve away?  What if you have to bring yourself with you, with all the memories and the heartaches and the trials and troubles that have gathered and stuck to the underside of your mind like barnacles on a veteran ship?  Then it wouldn't matter how far you drove, or how loud the music was, it would still be the same you, driving down the same road.  And you would be waiting for you when you got there.  With the same problems, the same expectations. 

So you see why I don't like driving.  But sometimes.... oh yes, sometimes.  When driving down the interstates at the end of the evening, during the twilight hours, there is this temptation.  To, as John Mayer would say, to keep the car and drive. To pass the exits of home and just keep on going.  Then, and only then, would the me that is me not be there.  Because then is freedom, is creation.  You become clay again, to be molded in your own fashion.  It's why so many artists write songs about their cars.  For instance, David Crosby, on the Thousand Roads album, wrote "Too Young To Die,":


Sweet old racin' car of mine
Roarin' down that broken line
I never been so much alive
Too fast for comfort, too low to fly
Too young to die
In a world totally different from the world in which he lived, from the drug use and all the escapes that are not really escapes at all but just temporary reprieves.  As in dreams, or books, or video games, or driving for hours into the wild unknowns. But in the end, there's always the return, back to reality. And that's okay, because you can't escape from you forever, but like a shot of Ether, a temporary break into the lands of your favorite book, it's a suspension of this life into another, or into nothingness.   

One of my associates at work talked about how the past experiences that I've had with driving effects the way I see it now.  And that makes sense.  As a child, it was either going to the store or to the doctors office (through which I was feeling really ill, if I was going to Doctor Gormley about something.), or to get my allergy shots at the hospital clinic in north Oklahoma City.  Which of course was wonderful getting a shot or two every week.  The destination was the problem.  I was never looking forward to going anywhere.  The only time during that part of my life I looked forward to was the drive down to Sulphur, Oklahoma where my grandparents had their lakehouse (see previous blogs). Then it was an hour drive south on I-35 past Pauls Valley and Wynnewood and Davis, down long a windy roads into a forest and gravel roads and to a secluded house where the world never seemed to invade, not even television.  That was freedom, because the end place continued the illusion of getting away from everything.  Which, of course, it didn't, but as I was a child, there was little to run away from.  But my dad still had his heart problems and the economy and all the adults seemed to have some problem or another, either with each other or with themselves.  But it was easier to forget there. 

Of course, then there are the cars themselves.  There is a certain joy in owning your own car.  Everyone knows this. For some reason, actually owning a car, making it your own, however that's done, be it french fries under the seat, or those adaptations you make so that the car will go down the road, the idiosyncrasies that make the car what it is, almost makes it organic. My 1988 Honda was like that.  And the stories of how, since no one told me where drive was on the stick shift, I plopped it to the bottom and drove off to Macon going 80. Now, going 80 on low gear tends to ruin things.  Thus my $2,000  Honda cost me $3500.  And then I learned to drive the car with both feet, with the left foot on the break and the right on the gas, so it wouldn't die at intersections and such.  Or my 1997 Mercury Mystique which had problems from the get go, and it only lasted a year or so, but I liked the car.  It was mine.  It was an exit.  It was potential.  I think we all fall in love with that potential, with the idea that, although we never do it, that car is a method by which we run away from it all.  It's the feeling in those hours before the sun sets when we just want to keep driving, away from everything we've known and never come back.  Should we ever do it, we'd find simply the same us lying over the next hill, at the next exit, past the intersection and the rest stop. 

And if I ever decide to go driving, to go on a vacation away from that which is me, I'll put Shawn Mullins' album Soul's Core on the CD player and keep it on rotate.  He captures the essence of nostalgia (which is really just escape) and the longing for freedom all into the tracks of the music, which, like the automobile, travels throughout the US finding places that we've never been, but would like to, one day, just around the setting of the sun. 

Tuesday, October 13, 2009

Days at Arbuckle Lake

The camera of the eye is a truly remarkable machine. With each blink of the eyelid, we record the moments of our lives. It is burned on the film rolls that are stored in our heads, for us to relive in our dreams and nightmares, to pull up that unexpected flash of emotion at the smell of cherry pie or the sound of an ice cream truck. Because our films not only have pictures, but sights and smells and tastes and perceptions, both imaginary and real. Does the garden become more real as we remember it? Does the smell of the rose become more than just that as the references in our minds mingle with the recording of the encounter? Does a priori knowledge make what we've seen more or less real?

Honestly, I don't know, don't pretend to know. I've never pretended that my memories were anything more than what they were. My dreams are always just that, with certain obvious symbols that portray emotions, and the like. But sometimes, a dream is just a dream, and no amount of interpretation will make it anything else.

But we all have our memories, and although they fade and become scratched as time travels on, leaving them as faded as the oldest recordings on my VHS tapes, we still can remember them. By writing them down. By telling them to people who care (or don't). The stories that our elders have of days gone by. If only they were recorded for future historians and authors to hold in their hands, and cuddle them as soft lambskin. When people walk through the empty town of De Pew, Oklahoma, after all the people have died or moved out, leaving the town center abandoned and empty, what will they feel moving through their bones? The bike racks are empty, the lampposts with a lingering staple or two from advertisements of yard sales and the latest soap guaranteed to get your clothes sparkly white, dark as the night sets in. The bricks stand, waiting for the tornado that will assuredly knock them down. But for that time, the town still stands, and when, then, will you hear the laughter of children running down Main Street? Or the old men in short shirtsleeves arguing about the latest baseball game. Those sounds are somehow still there, locked in our heads. We know them, but they fade, as if in translucent shimmers rising up from some outlying farm where the chimney is still on, and an old farmer sits, waiting for the sun to set.

We all have memories like this. At least, I hope we do. I shudder to think what the world would be like if our children, growing up in metropolises and skyscrapers and video games violent and magical, what they will remember as they grow older and look back at their childhoods. Where are the magical places in their lives, where nostalgia takes root and grows and protects the inner memories of our younger days? I pray that someone will take them out to the country, if even for a few days, and show them the soil and the water in the rivers and the squirrels running to their nests. And the old people in rocking chairs and the gravel roads with grass growing in the middle, where tires have never tread. And the stars.... the children of our world will never see the stars. Orion will be dimmed, his sword, and the great nebulae within, left forgotten.

But I am glad that I have such memories. My grandparents, those that lived in Oklahoma City and have since passed on, had in their plans a lakehouse down in Sulphur, Oklahoma, where they would spend their days off. It was a magnificent house, built with a deck around the whole of the house (much of which I saw constructed by my dad, grandfather, and other friends as saw fit to help.) I saw the concrete poured, the metal supports lifted up, the wooden beams nailed together and secured onto the house. And on cool, crisp mornings, with the wind coming off the lake, I would go out and sit on the deck and drink orange juice. It was best in the mornings, when the wasps were still asleep. I was afraid of wasps.

Driving down to Sulphur from Oklahoma City was always an adventure. I created a game to pass my time on the road, namely, to find each one of the letters of the Alphabet on road signs and permanent housings. No license plates. I was always glad there was a Western Sizzlin' along the way, and I knew where there was a small sign that had a 'Q' on it if I hadn't found it yet. The hour drive through the small towns of Oklahoma, the signs saying Pauls Valley, Paoli, Davis, and the counties, marked off the minutes till we got to Sulphur and the Lake house. The curvy road from the main highway to the lake itself seemed to take forever. But soon there were gravel roads that connected A frames and Mobile homes to the real world, and the trees encroached upon society and occasionally you would hear the scrunchings of tarantulas as they tried to cross the road to the next field. Our lakehouse sat at the end of a cul-de-sac, with us owning all the land around it. Open the gate, and the red house stood on the left, and the boat house on the right, where the sand pit and gravel pit stood for us to make endless forts and imaginary places with. The boat house was usually filled with wasps, and so I never went in there.

The house itself was filled with the knickknacks of my grandmother, who collected antiques from her family who lived in the area, and it had a life all to itself. My grandfather's bedroom was blue, with a stand of DIY how-to books on one side, and an ancient black and white TV in it that didn't work. On top of it was a globe procured in the 40s or 50s, when most of Africa was owned by foreign powers. I suspect it was my dad's globe. My grandmother's bedroom was pure pink, with a armoire and a stool that my grandmother sat on to put on makeup. And it spun around and around and around and I got dizzy spinning around on it. I have a picture of me doing that, and I'll post it here when I can find it. And beyond the deck, a path that lead down into the forest, down to the lake where a small beach was that we could go and swim a little, or throw rocks, since the actual beach was at the end of the windy road.

If you take a look at a map, Sulphur, Oklahoma is next to the Lake of the Arbuckles, a small hilly region in southern Oklahoma. The town is called Sulphur because the rocks in the area, and the natural minerals in the ground make the water coming from the cold springs near the town smell like sulfur. They even have a fountain where you can go and drink it. The minerals in the water are supposed to be very nutritious. The park used to be called PLATT National Park, and was the smallest National park in the nation. But since it was so small, it was turned into the Chickasaw National Recreational Area, demoted as Pluto was recently. The nature center sat atop the spring-fed river, and it was definitely cold water. We'd go out from the nature center and, already having our swim suits on, take our shirts off and go play in the frigid water beside the center. the river ran through the park and into the lake, where the water was warm as bath water some summers. The beach was made as water ran over the road when the reservoir was made, with sand poured on top of the edge, so if you dug below the sand, you could easily find pieces of asphalt, which was great for skipping rocks in the water. The park is still there, and one day I'll go back and visit.

The reason I bring all this up, at this time, is that I discovered something wonderful recently that made me think about my experiences at the lake house, and I wanted to record it, so happy did my discovery make me. You see, if you pull up the property charts for the original designs for the lake house, you'll see it sits on a road that has a name. I forgot what it was called, and no one would know unless they went and looked at the original plans. Well, one day, as a we were walking down the gravel road to the main one, we got to the end of the road, where the doberman pincers live (and they loved chasing you), and we noticed there was no road sign. Now, I loved looking at maps and knowing where every road in Oklahoma City went (ask my mom, I asked her a million times where each road went... :) ) So the idea popped into my head, "We need a road sign here!" I was probably 7 or 8 at the time.

So names....what do we call this street we live on? The neighborhood where my house was had names of English towns. One of my classmates, Stewart, in elementary school, his dad built neighborhoods from nothing and he named a bunch of streets after his children and family. Denzil Road would have sent chills down my Grandfather's spine (his middle name was Denzil, and he hated the name). So what to call it..... well, the road was made of rocks, so.... Rock Road.... or more precisely, Rock Drive, because the other is an ice cream flavor.

My dad got out his tools, his mountain wood saw and some yellow paint (it had to be yellow!) and we cut an arrow out of wood, pointing the way. It was one of the few positive memories I had of my father, when he was in his garage making things. We painted it and put with large letter stencils, "ROCK DR" on it. Then came the weekend and we went down there, walked to the end of the gravel street, and nailed the sign a prominent tree.

I'd give anything to have inherited that property, as it had been laid out in my grandmother's will. But life being what it is, and after my grandfather died Mema (what I called her) couldn't take care of two houses by herself. So she put it up for sale, and some doctors from Oklahoma City came down and bought it.

Fast forward... Mema died a few years back, and her house was left to ruin. But leave it to technology today to bring windows of the past into our living rooms. It is almost taken from pages of science fiction books, like Asimov, or Arthur C. Clarke. One in particular, The Light of Other Days, is amazing in this respect. Technology was found that allowed small wormholes to be opened in space and time, so that light and sound could be transmitted from anywhere to anywhere. Thus a thousand nano-cameras were positioned above the signing of the Declaration of Independence, or followed the Republicans into the Watergate Hotel. All secrets from the past were unearthed, and honesty became the only policy. A very interesting book, to say the least.

While we don't have that ability yet, there are very large cameras in space and digital cameras here at home, and Google uses them very well. So, I was zipping around Oklahoma City on my computer, looking for addresses of houses that my Grandmother (Granny, my mom's mom) wanted to see, and the location of the Trucking company Papaw (Mema's husband) worked at...etc.... It's such a marvel to travel the roads of America without having to rent a car and pump gas. So I traveled the hour drive down to Sulphur, Oklahoma, passed the Sulphur Springs park, and followed the windy road to where our lake house was. I found it, and on Google Maps, right where our lakehouse was, I saw the words "ROCK DR." written on the screen. I went to Yahoo! maps, and it's there, too. Truly amazing. People from Sulphur, when drawing up the maps for the region, probably had no names for those streets, so when they found the street sign, they recorded it on their maps, and Google took it from there. So now that street is Rock Dr. for all the world to see. It truly made my day.


Because, while Julius Caesar and his successor Augustus named months after them, and Martin Luther King Jr. has thousands of roads named after him, it's not often that you and me can simply name something and have it be named thusly. We are not God, who could say, "You are a Giraffe," and it become thus. But I have a road that I named (well, I have a brother, and he was there, too), and it is still named that, in the maps that the whole world can see, if they know where to look.

Me on the stool.... I was, up until I moved to Georgia (read puberty) very photogenic. You can see where I get my evilness from. :)














My grandfather, Weldon Denzil Pugh, whose dream it was to have a lake house, and built the decks and lit the fireworks we shot every 4th of July in the cul-de-sac. So much fun. I wrote a poem, the only poem I've ever written that rhymed, about the Lakehouse. It's below.














The Lakehouse, with Papa and Mema standing below the back deck.

















The back deck. The side deck hadn't been built yet (other side)



















Front of the house.


















The Lakehouse

The fish drink all the water,
My Papaw would tell me
Late at night, with the moon shining bright,
On the shores of Lake Arbuckle.
He built it as a dream house,
So many years ago,
A place to stay, so far away
From diesel-engine drives down the highway.

Five o'clock in the morning,
Sitting in his kitchen chair,
Smoking cigars, humming bars,
of tunes from yesterday.

Then on the porch we'd sit,
Drinking orange juice and milk.
Watching long-legs crawl, and acorns fall
Off oak trees into the lake.

Can you throw a rock that far?
Don't the fish get full?
I asked those questions, our time passed
On the shores of Lake Arbuckle.